The No-Man’s-Land in My Heart

After my sister died, my niece found a large box of papers relating to my mother. She promised to keep it aside for me. I decided to drive to Melbourne during the school holidays and collect the box. I thought I was ready for whatever awaited me.

When I opened my Pandora’s Box containing documents and photos relating to my mother’s life, I felt the equilibrium I had guarded so carefully begin to falter. Feelings of confusion and unease came at me like a dust devil. My first reaction was to shut the lid quickly and contain the storm. Even imagining what might be inside began to wreak havoc with my mind. Without realising, my mother’s curse from when I was sixteen made me not want to touch the contents. Her words flooded back, ‘remember this for as long as you live. I curse every single object I have ever touched.’ Yet I knew I had to face whatever the box contained and I would do so in my own time. What I knew for certain was that I would not be taking the box home with me. If I did, I might never find the courage to open it again.

The square, floral box contained the paltry remnants of her life. Expired British passports in the name of Catherine Raftery, dozens of letters from a friend called Edith who lived in Austria but wrote in Hungarian, psychiatric reports that contributed to the State Trustees taking charge of her affairs as her guardian, and a photo album in which the only person I recognised was my mother growing older as I turned the pages. None of it made sense to me. What was I expecting? A photo album with pictures of myself, my sister and my father? She had remarried, travelled the world, lived on a farm for a while until her husband died. Then she spent the last eight or so years living with my sister, where she is remembered for often being drunk and argumentative. She died when she was 89 years old. I had been in her life for no more than ten or eleven years.

The psychiatric reports make for some interesting reading. My mother gave different versions of her life prior to meeting Patrick Raftery. In 2005 in a psychiatric report my mother stated that ‘her husband [my father] became involved in drug use and committed suicide in 1975. She was distressed by his death.’ Then, ‘she remained in contact with her daughters by letter.’ Neither statement is true, and the date my mother gave for my father’s death was wrong too.

In 2007, a psychiatrist stated that ‘Mrs Raftery’s account of her background was at times difficult to follow.’ This time, my mother claimed that she moved to Austria and then to Australia in 1971 with her daughter Palma. She then married again in 1977. In this version, there is no mention of my father or me. The psychiatrist also stated that ‘Mrs Raftery denies symptoms of depression, anxiety, elevated mood and psychosis.’

Marrying Patrick Raftery not only gave my mother a new name but also gave her access to the European Union through her British passport before Brexit. She could travel back to Hungary and stay for as long as she pleased. She may have lived in Australia but her identity remained firmly Hungarian.

My roots have always been more complex. My parents were refugees from Hungary, a place they called their homeland, but I was a refugee in my birth place and every place I have lived since. I became an Australian citizen when I was 18, but it took many more years to grow into myself and find my own way of being in the world. A passport could make me a citizen, but by itself it wasn’t enough to bridge that no man’s land in my heart. Perhaps that is why I think so often about what it means to belong.

Today, at the Canberra Writers’ Festival, I heard a striking answer to that question from Ian Hamm, an eminent Yorta Yorta man from Shepparton. When asked, ‘What is one good thing about being Aboriginal?’ he answered, ‘I know where I belong,’ or maybe he said, ‘I know I belong.’ He uttered these words with unshakable confidence, even though he is a survivor of the Stolen Generation. Belonging to his Country and his People is an ancestral inheritance that no one can take away from him. There is a profound beauty in that surety of belonging. His answer took my breath away. It filled me with a deep reverence and quiet longing.

Dogs and Laughter: How Zusak Stole the Show

This weekend, I am attending the Canberra Writers’ Festival. It is my first time. I have been really impressed with the line-up of speakers and it was hard to choose the few I would attend. There were the ones whose books I have read and enjoyed and a couple of new ones that I thought looked interesting.

Of the big names on the list, I chose to see Markus Zusak. I have just finished reading Three Wild Dogs and the Truth, which was a present from a dear friend. As a dog lover, whose own memoir may one day appear with the title Blue Dog Girl, I couldn’t pass up the chance to hear him speak.

The book most people associate with Zusak is The Book Thief. Three Wild Dogs have none of the qualities of that book. It is a raw, unflinching, violent, tragic and oozing with love for these three crazy, havoc-wreaking mongrels. Zusak doesn’t portray himself as a perfect dog owner, far from it. I can imagine some dog owners recoiling in horror over some things he has done. But he is truthful, full of humour and passionately devoted to these dogs.

I wasn’t sure what to expect, but I wanted to get a glimpse into this man who could produce two books that couldn’t be more different. From experience, meeting an author whose work you adore can be a hit and miss affair. Once, I signed up for a six-week writing class with an author I idolised, only to find him pompous and condescending. I was in for a treat with Zusak.

The talk was held in the foyer of the Australian National Museum. By the time I arrived, hundreds of people had taken their seats. It was clear from the from the first question on that he was going to go off script and tell hilarious stories, rather than purposefully answer questions. He had such a wonderful connection with the audience that by the time he finished, we all felt that he was our friend. I have never seen an author work a crowd the way he did. He was clearly enjoying himself on that stage.

I lined up to get my book signed. When I reached him, he easily engaged in conversation by asking about my dog. He then told me a little anecdote about Standard Poodles while drawing three dog faces on the title page. Markus was charming and generous with his time.

It is rare to have an experience like this at a Writers Festival. It made readers feel part of a valued relationship. He honoured us as much as we honoured him. I’ll cherish this evening, as a testament to the magic that can happen when writers and readers come together.