When a snip becomes a road trip

Every six weeks, I get my hair cut. There’s nothing out of the ordinary about that. Hair grows and if you like it short, it needs to be cut regularly. Nor is it unusual for women to travel across town to visit their hairdresser. Once you have established a good relationship, it is difficult to start over with someone else. It’s a bit like an old relationship where you are comfortable bearing all to each other.

I probably take this further than most. Visiting my hairdresser involves a ritual of driving 270km each way and staying overnight with friends in Millthorpe where I used to live. That’s the equivalent of driving from Milan to Venice or further than Vienna to Budapest. In Europe this would be insane, in Australia just slightly bonkers. We readily acknowledge that we have a different relationship to distances. In my misspent youth, I dated guys who used six packs (beer) as their preferred unit of measure between cities. (Not condoned!) That was before drink driving was taken seriously. I have a tendency to measure distances by increments of towns. Canberra to Millthorpe is three hours; one hour to Boorowa, one hour to Cowra and then one hour to Millthorpe. It’s a rough estimate, but it works for me.

My hairdresser is good but there’s probably 50 equally good ones within a 10km radius from where I live. She knows me well by now and doesn’t bother with social niceties. If we talk, there’s a point to it. She’s a no-nonsense woman who has no need to pretend to be anything else. I like her. But that’s not the only reason I make the trip.

Over the seven years I lived in Millthorpe, I have made some good friends and rekindled some old friendships from a different part of my life. Funny how that works out. When I moved to Canberra, I left some very good friends behind, and it seems a shame to keep losing friends as we age. So, I decided not to let that happen. My hairdresser appointment is a good excuse to visit friends regularly. For I know when we say, ‘let’s keep in touch,’ it rarely eventuates. Our lives become busy, other priorities take over and before we know it, we have lost contact. Getting my haircut is my way of ensuring that I keep up with friends. I now need to come up with a similar strategy to see my friends in Sydney!

How far do you go to keep up friendships?

Twixtmas

I have always been fascinated by liminal spaces: doorways, verges, airport terminals and the inbetween times in our lives. The time between Christmas and New Year, six days of waiting for the old year to pass and the new year to start, sees us standing at the threshold of the old and the new, in limbo, neither here nor there quite yet.

My new diary for the year is pristine, bar a couple of appointments. It is empty, yet full of promise for what is to come. 365 days of dreams and hopes await, yet I have little control over what will actually happen. Which of us will make it to this very day next year? Who will join us in our midst? What will be the joys, the sorrows, the moments we will remember? How will we show up for them?

The other day, I looked through the photos on my phone, starting at January 1, 2024. I made two pages of notes of all the important events I had captured. They were overwhelmingly positive this year, but then we rarely capture our sorrows unless they are marked with a ritual. I am sure there were plenty of mediocre days there, but I chose to focus on the things that uplift me. I will remember this in the coming year and focus on the positives. I’ll leave the downside of life to news reporters.

Twixtmas is a good time to take stock and reflect. I want to get into the habit of doing this much more often. We all know that our notion of time is a mental construct, that time keeps going on without stopping on December 31 and starting again on January 1. But it is useful to draw a line somewhere and give ourselves a chance to begin anew. While I am not a believer in new year’s resolutions, I do set a guiding principle for the year. 2025 will be the year of Imperfect Action.

Imperfect Action calls for movement towards something before I am ready, before I have all the information, before I can talk myself out of it. It is a way to get out of my head (and out of my way) to attempt new things without expectations. It is a belief that if I act, the outcome will look after itself. It is a realisation that I can only control my actions, not what the result will be.

When we recognise our task is to lean into action rather than expect outcomes, we can live with increased equanimity. Life becomes less of a grind and infinitely more fulfilling. We can take each step with intention and let the outcome take care of itself. Trust your effort will lead you exactly to where you need to be. Happy Twixtmas!

Boxing Day: Box it up!

You don’t have to be a minimalist to want to declutter your life after Christmas. We, who are lucky enough to live in wealthy countries, have more than our fair share of possessions and after a while, the sheer volume of it makes us feel stifled. Never more so than after Christmas, when even more things come into our homes, not all of it is welcome.

Generally, I try to give presents that are consumables like special items of food or at least useful around the house. I do make an exception with a friend with whom I exchange ridiculous gifts, but even these are practical. I don’t get hung up on whether things I give get re-gifted; if I got it wrong, let someone else enjoy it! Nor do I mind giving money if I know it is the best gift for the person.

I find it difficult to fathom that people would want to go out and spend more money on Boxing Day sales, unless, of course, there is something very special that they have been waiting for. For me, Boxing Day is a good day to begin the purge and box up all the things I no longer need. I go through my wardrobe and ask myself honestly whether I have worn that item in the past year, whether it still fits me and whether I still like it. If the answer is no to any of these questions, it gets folded and put into a box. I also go through my linen cupboard, shoes, kitchen utensils, herbs and spices, and food items at the back of the cupboard. The only thing that escapes my scrutiny is books. We all have our weaknesses.

While I am by no means a loyal follower of Marie Kondo, there is some truth in what she has to say. Although, she too has changed her tune somewhat since she has had children. She is less rigid and acknowledges the inevitable clutter that comes with raising kids. If you have children, you will need to be much more flexible with your approach to clutter. Still, you can go through clothes that no longer fit and toys that no longer hold their interest. Box it up!

Those of us who don’t have young children in our care need to think about the things we have accumulated and whether they will help or hinder us when transitioning into the next stage of our lives. Moving from a house to a small townhouse at the beginning of the year has certainly taught me about which things spark joy and which things spark nothing but trip hazards. There is only so much that fits into that container, which we refer to as our home.

I am not advocating Swedish Death Cleaning either. As far as I’m concerned, if someone benefits from receiving my inheritance, let them clean up after me. No, I am advocating doing some decluttering for ourselves. We will be the beneficiaries of a place where we can easily find things and where we can walk to the bathroom at night without encountering an obstacle course of our own making.

Let Christmas Day be about giving and receiving. Enjoy the presents, the food, and your loved ones. Then, when Boxing Day comes, and you look at the mess that’s left behind, take out the boxes and begin sorting. Come the New Year, you will be so thankful you did.

Lighthouse reflections

Some things are seriously worth waiting for. Like the Artist residency at Nobby’s beach, Newcastle. I was counting down the months, then the weeks until it was finally upon me. Five glorious days to spend on my memoir that has been sitting on a shelf for the past year, patiently waiting for me to come back and give my undivided attention.

There were eleven of us at the lighthouse. Some writers, some artists. Several had returned for the second time and were delighted to meet up with old friends. Two of us came from Canberra and, to my surprise, there was a large Melbourne contingent. One younger woman had grown up at the lighthouse as her father was the last signals operator before that job too became automated. We loved hearing stories about the people who lived there and the history of each of the rooms where we worked. For her, it was a chance to paint the lighthouse and its surrounds which had played such a significant part in her early life.

There is something magical about lighthouses. They are often metaphors for safe passage, guidance, and protection. They offer illumination for the dark nights of the soul and are a beacon of hope. In a port city like Newcastle, this lighthouse has the important function of guiding vessels into the harbour and up the Hunter River.

Before I arrived, the lighthouse became the beacon guiding me to cross the finish line of the year with a sense of achievement. It didn’t disappoint. I found it easy to get into flow and felt focused for hours on end. Many of us met at 12.30 for lunch in the common room, enjoyed each other’s company, and went back with a fresh burst of energy for the afternoon session. By the end of the week, I cut 21 000 words from my manuscript. I consider it a boon for my future readers. The engagement with the work has also rekindled my enthusiasm for the project.

The knowledge that Nobby’s lighthouse is one of the oldest operational lighthouses in the country made it feel like a workplace rather than some anachronistic holiday destination. I felt connected to both its current significance and its historical legacy.

Back in 1854, it first guided commercial shipping and 88 years later, it became important for military operations during WWII. The three small cottages erected on the site and these were used by defence staff during the war. An unexploded shell fired from a Japanese submarine damaged one of them.

Various lighthouse staff occupied the cottages after the war until the late 1990s. Lighthouse Arts, which is an initiative of the Hunter Writers’ Centre, now uses these cottages to hold exhibitions and offer artists and writers a space to create.

The area where the lighthouse is located is now known as Nobbys-Whibayganba headland. So finally, there is recognition of the Traditional Custodians, the Awabakal people and their deep cultural connection to the land, saltwater and the Dreaming.

I am grateful I could nurture my calling on this spiritually laden Country. It gave me much needed clarity and purpose. As such, I am already planning my next sojourn.

If you feel you would benefit from having a week to commit to your creative project, apply at https://hunterwriterscentre.org/2024/11/28/lighthouse-arts-residencies/  

We may even meet each other there.

When a Stranger Calls Your Name

Photograph by John Harding originally posted on Friends of Watson Greenspace Facebook page

It takes about a year for me to feel that I have arrived in a new place. I have moved cities often enough to recognise this pattern. Sometimes waiting for that moment feels like an eternity, as it did when I first moved to Sydney while other times, it feels as if it has taken no time at all. Canberra falls in the latter category.

While I have felt at home in my new place very quickly, I didn’t know anyone besides my daughter and her friends when I moved. Then, a couple of months later I met my first friend at the dog park. She lives on the same street as I do, and we meet up for drinks or dinner every now and again.

I am known at the local shop but not by name. People are more likely to say hello to my dog Zoë who wears her name on her harness than they are to say hello to me. Of course this is very common. Even Markus Zusak says that when he is out without his dogs, he becomes invisible to people on the street.

Can you imagine my surprise when a man with a camera hanging from his neck called out to me, ‘Are you Viktoria?’ It turned out, he was the local wildlife photographer who posts the most stunning photos of birds, dogs and kangaroos that visit the nature reserve across the road from me. I have been liking his posts for months and occasionally writing a comment, especially when he posts shots of tawny frogmouths. He must have looked at my name and found a picture of me. Now, he kindly showed me the tree where they were roosting, and I saw the three babies with their parents with my own eyes. It was a truly awe-inspiring sight, and I was grateful that he shared his knowledge of birds freely.

I thanked him and continued on my way. Zoë was getting impatient for her walk. However, after about 200m we were stopped again. This time, an older woman called out, ‘excuse me but do you have a friend in Sydney who lives in Dulwich Hill?’ Once more, I was flummoxed. Turns out she had moved to Watson recently, was given my number, but hadn’t made the call as yet. She recognised me because of Zoë. I guess there aren’t many black standard poodles who walk in this park. We had a chat and decided to catch up for a cuppa later in the month.

Ten months have gone by since I first moved here. So many joyful things have happened, but it wasn’t until I was recognised by strangers that I felt I had truly set down roots. It feels like I am part of the suburb and part of this community. I feel calm in the familiarity of the trees, the pond and the paths that I take daily. But hearing my name said out loud carried a particular weight, as though the world had suddenly recognised me within it. It was a fleeting moment of quiet significance, a moment when I felt connected to the place and the person who has called me into being out of my own thoughts and into the time and space we both inhabited.

And so, I have finally arrived.

Dogs and Laughter: How Zusak Stole the Show

This weekend, I am attending the Canberra Writers’ Festival. It is my first time. I have been really impressed with the line-up of speakers and it was hard to choose the few I would attend. There were the ones whose books I have read and enjoyed and a couple of new ones that I thought looked interesting.

Of the big names on the list, I chose to see Markus Zusak. I have just finished reading Three Wild Dogs and the Truth, which was a present from a dear friend. As a dog lover, whose own memoir may one day appear with the title Blue Dog Girl, I couldn’t pass up the chance to hear him speak.

The book most people associate with Zusak is The Book Thief. Three Wild Dogs have none of the qualities of that book. It is a raw, unflinching, violent, tragic and oozing with love for these three crazy, havoc-wreaking mongrels. Zusak doesn’t portray himself as a perfect dog owner, far from it. I can imagine some dog owners recoiling in horror over some things he has done. But he is truthful, full of humour and passionately devoted to these dogs.

I wasn’t sure what to expect, but I wanted to get a glimpse into this man who could produce two books that couldn’t be more different. From experience, meeting an author whose work you adore can be a hit and miss affair. Once, I signed up for a six-week writing class with an author I idolised, only to find him pompous and condescending. I was in for a treat with Zusak.

The talk was held in the foyer of the Australian National Museum. By the time I arrived, hundreds of people had taken their seats. It was clear from the from the first question on that he was going to go off script and tell hilarious stories, rather than purposefully answer questions. He had such a wonderful connection with the audience that by the time he finished, we all felt that he was our friend. I have never seen an author work a crowd the way he did. He was clearly enjoying himself on that stage.

I lined up to get my book signed. When I reached him, he easily engaged in conversation by asking about my dog. He then told me a little anecdote about Standard Poodles while drawing three dog faces on the title page. Markus was charming and generous with his time.

It is rare to have an experience like this at a Writers Festival. It made readers feel part of a valued relationship. He honoured us as much as we honoured him. I’ll cherish this evening, as a testament to the magic that can happen when writers and readers come together.

In Luna’s embrace

Like tides, I am drawn to the moon. Looking up from the cares of the world, there is my constant companion. Waxing, waning, lighting my way. Full moons always bring me joy. Every full moon catches me by surprise as if saying, ‘here I am, did you miss me?’. I sure did.

 I was unaware of all the hype around October’s super moon, when the Moon is at the closest point to us in its orbit. This super moon was the closest the Moon has been for quite a while and appeared at least 10% larger and 30% brighter than the faintest moon of the year.

The Western world colloquially refers to the full moon in October as the ‘Hunter’s Moon’. Traditionally, it was the best time to see deer and other wild animals to hunt and preserve for the coming winter. Of course, this makes little sense in the Southern Hemisphere as we await sweltering summers, but the name persists.

 There is a strong feminine connection with the moon, from the menstrual cycle which follows the 28-day lunar cycle, through to goddesses such as Luna and Selene named after her. The moon has played an important part in many cultures and religions. The Jewish calendar is lunisolar. Jewish people celebrate the first night of Passover when a full moon occurs after the spring equinox. In the Christian tradition, Easter falls on the first Sunday after the full moon following the spring equinox. Islam uses a lunar calendar with the new crescent moon marking the beginning of each month. The moon has influenced humanity since time immemorial.

Yet every light creates its own shadow. The moon has also been associated with madness, as in lunacy. Consider the quote from Shakespeare’s Othello ‘It is the very error of the moon. She comes more near the earth than she was wont. And makes men mad.’ There is, of course, no evidence to this myth, but it continues to flourish. Think of all the horror movies depicting a full moon and wolves howling. Then, in the early 19th century in the era of Romanticism, poets were associated with madness and mental illness. In truth, it was probably syphilis that caused their psychosis and mania.

Is it any wonder that seeing the full moon makes my heart jump a beat? I look up and see her on the horizon, as beautiful as a pregnant woman’s belly, about to bring forth new life on this planet. I swoon. My first instinct is to call my daughter, another lunar devotee, and tell her to look up NOW. Every minute counts as the moon rises and the optical illusion of a giant moon fades. Often, I will simply stop what I am doing, feast my eyes on her beauty and breathe in luscious long breaths in gratitude for what I have received.

Rescue, reclaim and write!

Whenever I move house, the first thing I set up is my desk. It has to be in the right position, preferably in front of a window. I love looking out when I am trying to think of the right word or phrase to express exactly what I am trying to say. Looking at a wall is stifling, no matter how many lovely post cards or pictures I have placed there.

I have had many desks in my life, starting with an ancient desk that my parents bought me when I was six or seven. I loved sitting there with an ancient Remington typewriter perched upon it. It made me feel important, like a real writer. At that desk, I typed my first stories and contemplated the idea of becoming an author. I couldn’t think of anything more magical than writing of lands far away, where anything was possible, and where readers could explore places unlike those they have ever encountered. I still have that dream. 

Since then, I have had pretty desks, utilitarian desks, large and small desks, old and more modern desks, desks that I have loved and ones I have loathed. My last one should have been perfect, except it was far too low for me to feel comfortable. No matter what I tried, it just didn’t feel right. I dreamt of a desk that was made just for me and had all the right dimensions.

Serendipitously, I met Thomas Fox at a local market. When I saw his woodwork, I knew he was the person who could design and make the desk I was after. He is an artisan with an eye for form and style. I wanted a desk with sensuous curves and a surface that would connect me to the age and beauty of the wood. I wanted a desk I could love, not just for its utility but for its inherent beauty, a desk to caress like a lover.

After months of refinement, we settled on a design. Thomas went to work on translating those ideas into something tangible and exquisitely elegant. Several months later, the desk arrived, ready to have its final polish and placement in my study. I took pleasure in hearing about the reclaimed wood he used, its provenance, and how the unique pieces of wood were rescued from iconic buildings around Bega. While its latest form as a desk is new, parts of it are over 150 years old. Each section of the desk has its own story, and its character has developed over the years from previous uses. It has come to me as a palimpsest, waiting for me to imprint meaning without erasing its history. I foresee a lasting, rich collaboration between us.

Weather Whiplash

I must have blinked and missed it. A week ago, night-time temperatures were in the single digits but today spring has arrived and daytime temps are in the twenties. Trees that seemed dormant a few days back are suddenly blooming. Not just one or two trees, but rows of trees along streets that appeared bare the last time I looked.

Officially, spring is at least another week away, yet Sydney basked in 27 degrees today. This past year has been the second warmest on record, but fortunately rainfall has been average, at the very least in the Eastern states. Luckily, because bushfire season is starting earlier each year and dry vegetation acts like kindling.

For the 16 years that we lived in the Blue Mountains, every spring brought with it that heart-in mouth feeling as fire trucks raced by. My daughter developed a keen sense of bushfires. She can smell one miles away. This is the inadvertent training young children get who live in fire prone areas. We saw the destruction around us with alarming regularity and knew several people who lost their homes. I never knew the full extent of the effect it had on me until I left.

Unfortunately, it is expected that we will have to endure more heatwaves, extreme conditions in summer and increasingly hazardous weather conditions earlier than ever before and not just in Australia. We will all have to learn mitigation tactics and put an end to being complacent about our impact on the planet. It is high time we stop talking about the weather and work together to actively improve the climate.

Fitting room fiasco

Swimsuit shopping is an ordeal like no other. You find yourself in a cramped cubicle with lighting that makes you look pallid and anaemic at best. Every blotch on your face is magnified, every fold on your hips highlighted. A bored twenty-something salesperson is on the other side of a flimsy curtain, and you’re left regretting every life choice that led you to this moment.

The four-item limit per cubicle is a cruel joke. If nothing fits, you’re either forced to wait with chattering teeth for the salesperson to come back from their morning tea, or get dressed and face the horror of starting over. It’s enough to make anyone want to avoid getting wet.

Determined not to miss out on future beach ‘fun’, I braved online shopping. My one-piece swimsuit arrived, but it didn’t fit. I swapped it for a tankini and bottoms to go with it—success with the pants, but the top was bursting at the bust. Multiple returns later, I finally have a swimsuit. It almost fits perfectly. At this stage, close enough is good enough.

At least this process was less of a nightmare thanks to a responsive online store that has a real shop front in Brisbane. But honestly, I hope I never have to do this again. Maybe I should’ve ordered two—one for now and one for ‘Ron.