Author: vrendes

Audiobooks

I do a lot of driving. Some of it for work, some to visit friends and family. I average about 28 000km a year or roughly 540km a week. This amounts to many hours in the car on my own. As I am out in the country, I don’t always have good reception.

I do enjoy silence, but I also like to use my time productively. When you’re out on the road as much as I am, there’s often not much time in the day to read. Listening to books gives me a chance to catch up on my reading list or to try new books I wouldn’t necessarily want to buy. The irony is that I often buy the books I have listened to because I want to go back and read them!

Some of the best audiobooks are the ones read by the authors themselves. It is such a pleasure to hear a book read in the way it was intended to sound. One of my favourites this year has been Chitra Ramaswamy’s Homelands which is a story of a friendship between her and a 95-year-old German Jewish refugee who arrived in Britain as part of the Kindertransport in 1939. It tells his story but also hers, examining their otherness, friendship, family and belonging.

Another book that had an impact on me was Syria’s Secret Library by Mike Thomson. In 2011, Syrian government forces attacked Daraya near Damascus and held it under siege, deliberately killing and starving its own citizens. Throughout the bombing and shootings, a group of dedicated men risked their lives to save books and established a secret library deep underground. These books could be borrowed and taken to the front, or read in the bunker where a young man took it upon himself to become the librarian. These men were fighters yet had a thirst for knowledge. So, they continued their education when educational institutions were no longer viable amidst the fighting. Listening to Mike Thomson read I was in awe of their dedication to the resistance and to their commitment to education.

I also like to listen to novels. On our way back from Adelaide, my daughter and I chanced upon A man called Ove by Fredrik Backman, a Swedish author. We thoroughly enjoyed listening to this story on our trip. I had never heard of Backman before and this lead me to listen to one of his other books, Anxious People, which I also loved.

Audiobooks have opened a new world of listening pleasure. Sometimes I listen to learn, other times I listen for pure enjoyment. Either way, it helps while away the hours on the road.

Soon I will be going to Melbourne to visit my sister. This is a round trip of roughly sixteen hours. I haven’t chosen my next book yet. Whatever it will be, I know I will enjoy those hours. In the meantime, your suggestions are always welcome!

A winter walk

It is currently six degrees, windy and grey. Trees are shivering now that they have lost their leaves and even birds look untidy in their coat of ruffled feathers. It is anything but inviting out there. The dog needs a walk regardless.

I put on my walking boots, puffer jacket and scarf and head outside. The moment I turn the corner, the wind assaults me with a slap across my face. An involuntary sound escapes my lips. It is even less pleasant to be out than I imagined.

We walk along a well-worn route, down the footpathed side of the street where I can let the dog off the lead for a short block of freedom. Zoë runs ahead to say hello to the caged cockatoo who calls out to her, ‘Hello, puppy, hello, puppy!’ I reply with, ‘Hello, cocky.’ He rewards me with a bark to let me know that he has recognised the animal to be a dog. I marvel at his intelligence.

Further ahead, I stop for a moment at the corner store. Zoë gets excited at the prospect of a treat. Sure enough, the store manager comes out with a Schmacko. After a couple of high fives, Zoë is rewarded, and her eyes are aglow with devotion for this young man. She is playful and affectionate and jumps up at him. I cringe a little at her lack of manners and my neglect to train her.

We walk through the centre of the village and meet more dogs and people. Some of them are up for a friendly chat, others growl and snap. Our walk is slow as every blade of grass has a story to tell. Zoë reads the doggy news slowly and leaves her own messages at important junctures. Meanwhile, I hop on the spot and rub my hands together to stay warm. We make our way to the dog park, a handkerchief sized plot of land befitting nothing but a Chihuahua. Still, there is fresh news here too and Zoë learns all the local dog gossip as she keeps her ears and nose on the ground. My toes are beginning to protest at the pace of our walk.

Eventually we make our way back home. I can feel my pace quicken as we round the last corner, and I am once again assailed by an Arctic blast from the south. Zoë doesn’t register the cold but even she seems happy to arrive at our gate. Inside, we huddle in front of the heater.

I have a postcard on my desk which I picked up in Germany many years ago. It shows two windows, one looking out and the other looking in. Below are the following words:

There are people who stand in front of windows and longingly look inside believing that life happens there. While those inside stare out at the street believing it occurs there. Günther Kunert

On wintery days like today, I am content to live my life inside and look out.

Buying a fountain pen

I promised myself upon finishing writing my memoir, I would reward myself with something extravagant. Something that would last and be cherished, an item of beauty. I decided upon a fancy fountain pen to mark the occasion. It seemed a fitting purchase for someone who loves writing.

I finished the memoir six months ago now, but the time never felt right to spend money on an indulgence. Something more pressing always came up. Then, about two months ago, I took the plunge and began to research the pen that I would eventually buy. I looked at a number of luxury brands and chose a slightly lesser-known English company which offered a range of limited-edition bespoke pens. The one I eventually ordered had the advantage of offsetting some of the profit to a charity I was keen to support.

I couldn’t wait for the pen to arrive. As each pen is individually crafted, it took over six weeks to make and then I had to wait for the shipment from London. I was so excited to pick it up from the post office I wanted to unpack it there and then. But reason prevailed and I carefully unpacked my treasure at my desk. It came in a stunning black leather box, complete with a certificate of authentication, ink, and detailed instructions. When I removed the pen, the first thing I noticed was its weight. It felt very light and small in my hand. The body was made of resin, yet in parts it looked almost translucent. I felt a little disappointed, as I was expecting something akin to the sturdy Bakelite pens of the 1920s. Then I filled the pen and began to write. The 14c gold nib dragged across the paper and at times the ink didn’t keep up with my writing. I could hear it scratch along the paper and I knew the sound itself would be enough for me never to want to use it.

I swapped over to my trusty Lamy Studio fountain pen which I bought in Zürich about 15 years ago for about quarter of the price. It floated effortlessly across the page. I enjoy writing with it, and it has never let me down. Sure, it looks well-worn, and the patina of the bronze coating is clearly visible, but I love this pen. Why did I think I needed a replacement?

I think my motivation was that I wanted something new and shiny. Yet I love every old piece of furniture in the house with a unique story that can be traced through marks and stains. I still use the fifty-year-old pencil case my father made and every time I hold it in my hands, the worn leather fills my heart with gratitude for this object. Surely, my old Lamy is no different.

Once I realised that I was both disappointed with the new pen and with myself for not questioning my motivations, there was no other choice but to send it back and request a refund. I am not good at doing this. I was very factual and clear with my feedback and returned the item. I have lost some money on the postage, but I have gained a valuable insight about myself. This experience has taught me that I already have what I need, and that it is enough. More than enough.

Radical Gratefulness

Gratitude has become trendy with the positive psychology movement. You can always find something to be grateful for – be grateful for your breath, a pretty flower, a kind word. While I agree with the sentiment, I wonder whether the next generation who hear this mantra will grow up like I did, having to eat everything on my plate because I had to think of all those starving children in India. I am quite sure none of my Indian friends ever benefitted from the extra mouthful of cauliflower or cabbage I forced down my throat and it created a very skewed relationship with food for me which has lasted a lifetime. Waste not, want not…

Don’t get me wrong, gratefulness is a beautiful state and I do believe that we need embody it much more than we do. My gripe is the glib statements that often sound forced and obvious.  What I have been grappling with is what we do when things go wrong in our lives. How to be grateful when truly terrible things happen. This is what mean by radical gratefulness.

When I watched Peter die, struggling to take his last breaths, in those moments, I felt grateful. Not for the intense sunny morning that seemed so incongruous with what was happening, nor for the 20 or so years I had spent with him, but for those awful moments where I watched him suffer and that I could be there to share them with him. As my dear friend Janet said at her husband’s funeral, ‘Today is a beautiful, terrible day.’

Ten years later, I sat with Roger as he took his last breath and once more, I was grateful to have had the honour to sit with him in that beautiful, terrible moment. To bear witness to someone’s final moments is to be filled with deep sorrow, pain and beatitude. Radical gratefulness is the only way I can describe this. It is the experience of two opposing feelings in visceral communion through grace.

And so it was this week when I experienced a major setback. It was my fault – I missed a crucial date, and it has cost me dearly. My first reaction was to be annoyed, frustrated, and to be honest, gutted. But as time went on, I was able to find my way back to radical gratefulness. I didn’t accept the ‘it happened for a reason,’ ‘something better will come your way,’ comments, although I truly appreciated the love and empathy I received. No, I forced myself to look at the situation deeply, accept it fully, and be grateful for the lesson I have learned about my chronic inattention to detail. It simply matters, and I’ve stopped making excuses about being ‘the big picture thinker’.

I can now say with conviction that I am grateful for the mistakes I’ve made, for they have enabled me to learn and grow. As Alex Elle explains eloquently, ‘Gratitude practice isn’t about pacifying our painful or challenging times —i t’s about recognizing them and finding self-compassion as we do the work.’

Wings of Desire 1987

First released in 1987, Wim Wenders’ film, Wings of Desire is a love poem to a city which at the time was riven in two. Viewing it now, feels like watching archival footage of a Berlin I knew back then but which no longer exists. It also features real archival footage taken just after the war, when ‘Trümmerfrauen’ or ‘rubble women’ cleared streets, cleaned bricks, and helped reconstruct the bombed city.

The scenes depict many of the iconic places in the then West Berlin. The angels in the film sit atop the Victory Column on a golden statue of an angel. It is from there that they observe the city beneath them. They also congregate in the State Library, a stunning modernist building which reminds us of an ocean liner. There are images of Anhalter Bahnhof (railway terminus) in ruins, as well as Potsdamer Platz, the centre prewar Berlin, which until unification, was a deserted and muddy no man’s land butting up against the Wall. In addition, we see local nightclubs of the 1980’s and hear the post-punk, emotionally intense music of Nick Cave and the Bad Seeds.

Most of the movie was shot in black and white which gives the film a dreamlike quality echoing the story of the angels who watch over preoccupied people as they go about their lives. Adults are unable to see the angels, but children can, and so we lament the loss of childlike wonder and children’s openness to possibilities beyond logical understanding.

The angels are poetic creatures who bear witness to humanity but are unable to participate in physical experience. This is amplified by the script, which was cowritten with Peter Handke, a well-known, if controversial, Austrian poet. These angels can only assume the meaning of human experience as they document their words, but they cannot feel them. When one of the angels, Damiel (Bruno Ganz) falls in love with a trapeze artist, he decides to trade his immortality to feel something real. Through his own actions, the fallen angel invites us to be amazed at the singularity of our own existence and be in awe of feeling the full extent of our humanity. After all, he has chosen to eventually die for the privilege to become fully human. At the end of the film, Damiel states, ‘I know what no angel knows’ and we are to understand that this knowledge, with all its complexities, ought to matter most.

Falling ill

When I am well, I take my health for granted. I forget about the aches, lethargy and depression that beset me every time I go under. I rush about my days as if I were invincible and eventually illness strikes as if from nowhere.

Two long weeks ago, I visited my daughter in Canberra. She mentioned she was ‘snuffly’ but forged on in the way her mother always did. By the next day she was much worse and by the time I left, she was bedridden. I now wish I had set a better example when she was younger.

It had occurred to me that I might have picked up the bug, but I put it out of my mind. After all, I was feeling fine. Did I slow down or take better care? Hardly! I kept running until I felt that rug pulled from under me. Predictably, I landed with a thud.

The first few days were a guessing game. Covid? Flu? A cold? After a process of elimination, it turned out to be nothing more than an ordinary common cold. Except that there was nothing ordinary about it. I coughed for nights on end, hardly slept and my energy levels were depleted. It went on for days and more days, then a week and now I’m three days shy of a fortnight.

What is fascinating is how quickly it affected my mood. I’m usually all smiles, cheeky, irreverent, and able to find humour in most situations. I consider myself buoyant. Within a few short days, I could feel myself sink. Then I was struggling to stay afloat. Dark thoughts descended and seemed to pin me to the bed. Although I knew it otherwise, it felt as if I would never get better. I thought about people with serious illnesses who spent years plagued by pain and I wondered how they ever found the tenacity to go on. Would I ever find my inner strength, or would I go under? I hope I’m never put to the test.

Yesterday, I finally rounded the corner. I had energy to complete some simple tasks, my mood lifted, and I found beauty at my doorstep – a purple rose in bloom, a parrot in the yard, a gleaming shaft of light. Slowly, the fog lifted and my body has fought off the intruder.

Driving without a phone

I was in a hurry. It takes three hours and fifteen minutes to drive to Canberra and I had precisely three hours and twenty-four. Doable but it was cutting it fine. I couldn’t get stuck behind a cattle truck, come across road work or, dare I say it, hit a roo. I threw everything I needed to stay the night into the car and did my final check. Keys, wallet but where was my phone? I ran back inside calling ‘Siri’ but there was no answer. Frantic now, I began turning bags inside out. I was wasting precious minutes. It occurred to me that I might have left my phone at work. Could I drive back to the office and take a different route? No, there wasn’t time. I had to jump in the car and leave.

I was beginning to sweat. Waves of panic came over me. What if I were to break down? The sun was reaching the horizon and the roads were empty. What would I do in an emergency? Then I remembered the long stretches in the journey where there was no reception. My phone was useless in these dead zones, so why should I worry now? I thought back to journeys of the past. I often drove long distances then and mobile phones only existed in our collective imagination. My cars were much less reliable and from time to time, they did break down. The difference was that I remembered many more phone numbers back then and I probably carried a small address book, just in case.

This time, I could only remember my daughter’s number.  It happened to be fortuitous as I was driving to her place. She had managed to get last minute tickets to a show and knew I’d be up to the challenge of getting there. But I knew she would be tracking my journey on her phone and would worry that I hadn’t left yet. So, when I came across a public phone in a deserted small town, I called her. Of course, she didn’t answer. A strange number was most likely a scam caller, so I called again and again. Finally, she picked up.

‘Your phone is at work,’ she said. ‘How are you calling me?’ Clearly, she is too young to have ever relied on phone booths.

The next couple of hours did have their moments. Thunderstorms, pouring rain, potholes and road works all slowed my journey. Still, I arrived with twenty minutes to spare, and we made it to the theatre in time. I could finally relax. By the time I was to return home, I had embraced the experience. I didn’t miss my phone once.

The following day was a Sunday. Could I wait until the next day to retrieve my phone? I thought about it. I really did. But the truth is, I enjoy the many benefits of the twenty-first century and nostalgia for simpler times has its limits, even for me.

Bev at the club

Bev pulled down hard on the steering wheel. Her tyres squealed as she drove into the carpark. It was a snap decision. What would it matter if she arrived home twenty minutes later? There was no-one to meet her anyway.

She locked the car and shuffled across the to the club’s entrance. Her legs had swelled in the heat and the humidity made her gasp for air. It was sure to be cool inside and a cold drink would be welcome.  As Bev neared the glass doors, they silently slid open releasing a rush of air towards her. She was feeling better already.

At the bar she ordered a midi of shandy. One drink and she would leave. That’s what she told herself.  Today was going to be different to every other time swung into the carpark at the last moment. Yet her heartrate was already up, and she felt the familiar agitation build. Bev was saw flickering lights from the room behind her reflected in the mirror behind the bar.  Then there were the enticing beeps, chimes, and whirs of those spinning wheels. Her fingers drummed the beat on the counter. She only had twenty dollars left until her pension arrived on Thursday. This time she’d resist.

Photos on my phone

Fifteen years ago, I had to remember to take a camera if I wanted to take a photo. I may have remembered to take it along to special occasions or when we went on holidays. I chose my subjects carefully and tried to take the perfect photo in one shot. Before digital cameras, the roll of Kodak film often sat in the fridge for a year or two before I remembered to have it developed. The result was either joy at remembering a forgotten moment or the disappointment of a badly executed composition. Usually, it was the latter.

Now that we all have a camera in our pockets, it is easier than ever to take bad photos. The only difference is that we don’t have to print them. We now store these along with the thousands of other photos on our phones, computers and of course the cloud. We keep it all because we can. We have photos of wi-fi passwords, breakfasts we have consumed months ago, screen shots of travel arrangements and of course thousands of photos of pets and the occasional human.

By the time we have several thousand photos, culling becomes a chore best avoided. There’s always something more important on the to do list.  Who wants to spend hours making one decision after another? Generally, this task is only attempted when we are running out of memory on our devices. Even then, people will go to great lengths to avoid pressing the delete button. The number of photos slowing down a device is often the excuse for buying a new phone or iPad with bigger memory and better camera to continue our bad habits.

I have recently updated my computer and decided it was a good time to do some digital culling. I deleted thousands of files and even made a start on the photos. My worst offenders were images of work-related PowerPoint presentations that reminded me of my good intentions to revisit them. Of course, I haven’t looked at them. Not once. This was followed by random photos of cute dogs, hundreds of photos of my daughter at graduation, catching each expression milliseconds apart. I do it because it is easy; just a slight push on the glass screen and I have a memory that is less likely to fail than the memory stored in my mind. At the same time, I realise it is another version of mindless consumerism. I can now outsource remembering to my phone.

My friend Lizzie once gave me some advice when I felt overwhelmed with my (lack of) filing. The piles of paper were screaming at me every time I entered the room. I felt shame and a good measure of embarrassment whenever I glanced across at the papers. She suggested spending no more than 15 minutes on the task each afternoon. It worked. Slowly the pile began to recede and as I acquired stamina, I could face twenty minutes or even half an hour to get it done. The problem I have always faced is all or nothing thinking. Either I sort through the lot, or it isn’t worth starting. Yet the reality is that deleting 5 photos is better than deleting none.

Currently, I still carry 5 838 photos and 132 videos in my pocket. What about you?

Country life

Seven years ago, I moved to a small country town in the Central West of NSW. Initially, I had preconceived ideas and prejudices which have mostly turned out to be, well, preconceived ideas and prejudices. I had no idea what it would be like. I freely acknowledge that each town is different and, honestly, some I really wouldn’t want to live in at all. However, if you choose the place carefully, it is a delight to live out west.

Millthorpe, where I chose to live, is a gem of a town. It is located between Orange and Bathurst which makes it a much sought-after address. It has quaint cottages which give it that old-world charm and the functioning railway station makes it one of the more accessible villages to reach. Our hatted restaurant, Tonic, attracts people as far away as Sydney and weekends can feel a tad busy down the main street. On weekdays, however, the place reverts to a sleepy little village where people walk dogs, chat to one another, and enjoy the slow pace. People look out for one another here and no one is considered an outsider. It is genuinely one of the most welcoming places I know.

While most shops and amenities are further away, it doesn’t take long to get to them. Traffic is mostly non-existent. I drive 20 minutes to get to work which for most people in the city is considered a short commute. My drive is scenic and I am blessed to be surrounded by nature. Whether it is cows on a hill, frost on the grass or swans in a dam, the bucolic charm never fades.

Another thing I appreciate is the quietude. I am one of those people who needs oceans of silence each day. I can listen to bird song, the rustling of leaves or the occasional bark but I don’t cope well with traffic noise or loud people. Here, my nights are dark, silent, and restful. Now and then, there is a storm with heavy thunder and lightning, but I find that a welcome release.

When there are no clouds in the sky, the stars are so much brighter than in the city. Even the moon seems bigger. It comes over the horizon as a large, illuminated ball breaking through the purple, orange and pink sky that heralds our sunsets. Dawn and dusk are magic in the Central West and makes even the most unsentimental among us gasp in awe.

While I know that I will probably not stay for ever, the Central West will always have a place in my heart. I love the quirky, earthy humour of the locals, the defined seasons, my gorgeous worker’s cottage. This is a place where I have felt more accepted than anywhere else I have lived and I have made life-long friends in a short time. It is the place where I have been given the freedom to write, where I have found love and where my soul has been given time to heal. Looking back, it is hard to understand why it took me so long to make the move.