This Quiet Unfurling

There is an ancient rainforest at the bottom of a gully in Katoomba. To reach the forest floor of the Jamison Valley, I take a cable car that drops 200 metres at a 36 degree incline to attend a special session of the 2025 Blue Mountains Writers’ Festival. As we descend, the vertical sandstone cliff face looks almost close enough to touch. Three hundred million years ago, an expansive sea spread over this area. Over millennia, sediment and sand formed into hardened layers which we now recognise as sandstone. Each layer reveals its geological history through erosion, sedimentation or uplift. This cable car is my TARDIS. It is the closest I come to time travel.

The sandstone is ragged. Tiny ledges mark the layers, and wherever a square centimetre can be found, life takes root tenaciously. Small trees curl their roots around rock and somehow find enough nutrients to stay alive. I am in awe of the miracle of life I am privileged to witness.

My TARDIS docks next to a wooden boardwalk that winds 2.4 kilometres beneath a rainforest canopy. This area is a privately operated tourist attraction that has managed, for the most part, to keep the rainforest pristine. Some added features feel kitsch, like scattered ‘dinosaur’ bones for children, but they are confined to one side of the boardwalk, so I simply look the other way.

I am enchanted by the ancient trees, vines and ferns that surround me. Some ferns are as tall as trees and about two hundred years old. Smaller ferns, unfurling their fronds, show tight spiral shaped leaves, an example of the Fibonacci sequence in nature. Mesmerised, I regard a delicate formation that follows this complex logarithmic pattern. I am not a mathematician, but I have a deep respect for how mathematics explains so much of the natural world. We seek patterns.

After a fifteen minute walk, I reach the Rainforest Room, a yurt like structure without walls that accommodates about one hundred and fifty people. Seats begin to fill. We are here at 7.45 on a Sunday morning to hear three writers talk about their books. Nature is the common element in their writing, though not all are happy to be labelled nature writers. I have come to hear Inga Simpson, whose work I admire. I don’t know the other two writers, Jessica White and Jane Rawson, but I know I will enjoy the session.

We sit in silence, looking out onto the rainforest. I am struck by the Coachwood trees, which have paintbrush wide white splotches. It looks as if someone has wiped their brushes on the trunks. Later I discover these marks are caused by lichen. They look stunning.

I recognise Sassafras, Turpentine and the Blue Mountain Gum among the trees. Then my ear attunes to songbirds tentatively striking up a melody. Within a minute, they are drowned out by the raucous sound of Sulphur Crested Cockatoos. I can’t help but smile at these juvenile delinquents who arrive with their boom boxes, ready to crash any party. Good luck hearing a song underneath all that squawking.

The event starts and I listen to Jane Rawson speak about her latest book Human/Nature, described as a lyrical work of creative nonfiction. I am drawn to her honesty and humour as she talks about establishing a life in the Huon Valley. Inga Simpson speaks about her latest book The Thinning, which I read some time ago. While it wasn’t my favourite of her works, it is interesting to listen to its reception within this group of readers. Jessica White talks about Silence Is My Habitat, her book of ecobiological essays. I am drawn to the title. Silence has always been my friend. I occasionally play music, which I love, but silence is what I long for most. I am listening to a kindred spirit, but her silence has been imposed by deafness, which she acquired at the age of four after pneumococcal meningitis. Her deafness has rendered the world silent, but it has given her the superpower of acute observation, especially of the natural world.

I love listening to these women in conversation. My soul is nourished by their words, their deep respect for one another and their reverence for nature. A tiny, oft ignored voice gently reminds me of a suppressed longing. I want to be a writer. First heard when I was six years old, I have held onto this dream tenaciously, much like the stunted trees clinging to the sandstone ledges. Their roots wrap around the rock the way my fingers furl over the keyboard, finding a letter here then there, forming words and sentences. It may not be much, but I hold on as if my life depended on it.