Lighthouse reflections

Some things are seriously worth waiting for. Like the Artist residency at Nobby’s beach, Newcastle. I was counting down the months, then the weeks until it was finally upon me. Five glorious days to spend on my memoir that has been sitting on a shelf for the past year, patiently waiting for me to come back and give my undivided attention.

There were eleven of us at the lighthouse. Some writers, some artists. Several had returned for the second time and were delighted to meet up with old friends. Two of us came from Canberra and, to my surprise, there was a large Melbourne contingent. One younger woman had grown up at the lighthouse as her father was the last signals operator before that job too became automated. We loved hearing stories about the people who lived there and the history of each of the rooms where we worked. For her, it was a chance to paint the lighthouse and its surrounds which had played such a significant part in her early life.

There is something magical about lighthouses. They are often metaphors for safe passage, guidance, and protection. They offer illumination for the dark nights of the soul and are a beacon of hope. In a port city like Newcastle, this lighthouse has the important function of guiding vessels into the harbour and up the Hunter River.

Before I arrived, the lighthouse became the beacon guiding me to cross the finish line of the year with a sense of achievement. It didn’t disappoint. I found it easy to get into flow and felt focused for hours on end. Many of us met at 12.30 for lunch in the common room, enjoyed each other’s company, and went back with a fresh burst of energy for the afternoon session. By the end of the week, I cut 21 000 words from my manuscript. I consider it a boon for my future readers. The engagement with the work has also rekindled my enthusiasm for the project.

The knowledge that Nobby’s lighthouse is one of the oldest operational lighthouses in the country made it feel like a workplace rather than some anachronistic holiday destination. I felt connected to both its current significance and its historical legacy.

Back in 1854, it first guided commercial shipping and 88 years later, it became important for military operations during WWII. The three small cottages erected on the site and these were used by defence staff during the war. An unexploded shell fired from a Japanese submarine damaged one of them.

Various lighthouse staff occupied the cottages after the war until the late 1990s. Lighthouse Arts, which is an initiative of the Hunter Writers’ Centre, now uses these cottages to hold exhibitions and offer artists and writers a space to create.

The area where the lighthouse is located is now known as Nobbys-Whibayganba headland. So finally, there is recognition of the Traditional Custodians, the Awabakal people and their deep cultural connection to the land, saltwater and the Dreaming.

I am grateful I could nurture my calling on this spiritually laden Country. It gave me much needed clarity and purpose. As such, I am already planning my next sojourn.

If you feel you would benefit from having a week to commit to your creative project, apply at https://hunterwriterscentre.org/2024/11/28/lighthouse-arts-residencies/  

We may even meet each other there.

My young travellers

My daughter and her boyfriend are leaving for Scandinavia tomorrow. They are typical of their generation in that they love travel and adventure. The more the better is their motto.  They have scrimped and saved for a year, booking Airbnbs months in advance and paying for smaller flights as they earned their money. As seasoned travellers, they are well-organised and have a knack for finding stunning places off the tourist track. Each of their days is accounted for, but they have left enough time to be immersed in nature wherever they go.

There are certainly similarities with how I used to travel in my twenties: bags packed at the last minute, doing things on the cheap, not worrying about getting sick or having an accident on the way. I comfort myself with the knowledge that they have mobile phones and that bank transfers are almost instantaneous. Today I gave them a last-minute present; four Apple Airtags in case their luggage gets lost. These are all advantages I could never have even dreamt of in the 1980s.

I was much less adventuresome than my two jetsetters. But then, I mostly travelled on my own. On my trips I tended to visit relatives, retraced places where I had lived as a child and met up with university friends who were on similar missions. I have mostly travelled to the same five countries time and again, apart from the occasional side trip to uncharted territories. What always drew me to a place were the people I knew there. I slept on friend’s futons on the floor and enjoyed their hospitality which I returned when they visited Australia. This pattern continued for five or six years. I still stay in touch with a handful of these friends and enjoy visiting them, whenever I can manage.

My daughter has gathered friends around the globe too. Like me, she is good at keeping in touch with them. Her friends are more mobile, but it has become much easier to connect with each other. In my twenties, I was sending weekly handwritten Aerograms and had to wait a week or longer for a reply. My happiest days were when a letter or two awaited me in the letterbox. I have kept most of these correspondences and they have become treasured mementos of the past. Technology sure has speeded up communication, but I miss the handwritten letters in the mail.

The young travellers have now departed to begin the first leg of their journey. I am left with my studio filled with their belongings and a much-loved dog to look after. I will miss the long evenings playing board games, the smell of new recipes emanating from the kitchen and the quick-witted repartee between us. Yes, I will miss them, but I am also grateful that they have this opportunity to travel.

Bon voyage and a safe return!